Tales of Hoffmann: Signor Formica

Over the holiday weekend, I had time to finish a Hoffmann tale! "Signor Formica" is pretty interesting, but not from the usual perspectives.

And no, it's not about countertops.

"Signor Formica" tells a purportedly true adventure of Baroque-era painter Salvator Rosa, who was also a printmaker and poet, and had a remarkable life full of adventure. (That's a self-portrait above.) The story begins approximately in 1649, when Rosa returns to Rome after various adventures in Naples, including rumors of being involved with a group of banditti.

Rosa encounters some strange folk, including the unscrupulous Dr. Splendiano Accoramboni (called the "Pyramid Doctor" for his peculiar headwear), who treats ill artists in hopes of reaping paintings as payment...and only to let them die. Rosa manages to survive and send the doctor on his way, then befriends Antonio, a young barber/surgeon who's also an aspiring painter. Rosa praises a painting of Antonio's that depicts the Magdalen in a new and interesting way, and divines that it's a girl that Antonio is in love with. And of course, she's the ward of a forbidding old man, Pasquale Capuzzi di Senigaglia, a pretentious dandy who fancies himself a great composer and singer, but who is truly execrable. And Signore Pasquale has two great friends, a dwarf named Pitichinacchio and the aforementioned Pyramid Doctor.

The rest of the story goes into how Rosa cons and tricks Capuzzi and his friends, gets the lovers together, and how justice serves all.

It's not supernatural at all, but it's a good read. There's some meditating on art that doesn't overwhelm the story, and lots of funny action with plot and counterplot with Rosa and Antonio on one size and Capuzzi and his friends on the other. And while reading this, I kept thinking what a great comic opera or operetta it would make. And there's scenes set in the opera house that just call out for a talented composer to have fun composing bad music. (The "Signor Formica" of the title is an opera singer who seems to set out especially to communicate with, or embarrass, Capuzzi, and is one of the big players of the story.)

To wrap up, this is hardly the core of D&C material, but it's still a fun read that begs for a spirited adaptation somewhere along the line. It's also an intriguing early entry into the "fictional adventures of a real-life person" genre that we see so often today. So, not for everyone, but for those in need of a chuckle or two, check it out.

March at the Phantom Opera House!

Tonight we're all dolled up in our vintage and bohemian finery...we're going to the opera!

The show is that old warhorse "Carmen," but it's effectively done, as you can see here...



"Carmen," despite its overfamiliarity, has a ton of great music, and when done right has a load of atmosphere. It can also be seen as a precursor to film noir, with its tale of a good man led astray by a heartless, manipulative woman. The song above sets things in motion...she warns them all that she's a danger, but still tempts and coaxes Don Jose to self-destruction.

Just think...where would actresses like Lizabeth Scott and Peggy Cummins be without Carmen?

Show's over...let's go back to my place for a bite, shall we?

January at the Phantom Opera House!

It's the weekend after New Year's, and we're dolled up in our best as we scored tickets to the opera! We're all clustered on the balcony, with a great view of the stage, and all excited. And it's appropriate; the opera is E. T. A. Hoffmann's "Undine."



OK, OK, I know, it's Hoffmann again. I promise, this blog isn't going to be all Hoffmann all the time, I just had to get up an example of Hoffmann's music, especially something from his best-known work. I promise, next post won't be Hoffmann-related.

August at the Phantom Opera House!

Tonight we're off to the opera! We got bargain tickets through a friend, had a festive dinner at a fun and inexpensive restaurant, and are now snugly ensconced in the opera house. The show is Weber's Der Freischütz, a German Romantic opera from 1821 based on a folktale about a marksman who uses cursed bullets.

In the second act, there's a famous scene where the hero and the villain descend to the Wolves' Den, an area in the forest noted for the ghosts and demons that inhabit it. There they meet with the Black Huntsman, Samiel, and make a bargain to forge the seven magic bullets with which the flawed hero, Max, will win a marksmanship contest and a prize that will enable him to marry his beloved Agathe. Villainous Casper (not a friendly ghost), however, has other plans, including not telling Max that the seventh bullet, once fired, will have Max carried off by Samiel, and buying Casper more time on earth. (He made a dark bargain with Samiel himself years ago...)

The music is stirring...in fact, here we go...



This scene is often described as the greatest Romantic depiction of supernatural horror, and it's a corker. I chose a video without action, leaving the listener to imagine for themselves how the action goes. After you listen, go read a synopsis or find a video of the scene, and see how close your mental image was.

The scene ends, the intermission arrives, and we rush to the bar for a glass of Rhine wine while calming our shudders. And vowing to investigate Romantic opera and music more. Bring back Romanticism!