Tuesday, September 30, 2014
Sleep No More (published 1948) is interesting as many of the stories eschew the usual manor houses and crumbling churches of M. R. James and his school, but embracing Britain's industrial and transit landscape, which makes him a somewhat different voice in the field of English ghost stories.
So, to give you an overview...
"The Mine" tells of subterranean horrors in a lead mine; brief, but with a punch. "The Cat Returns" is lacking punch, being a fairly standard tale of ghostly appearances with a final "surprise." "Bosworth Summit Pound" has a haunting on a ghostly stretch of canal.
"New Corner" is interesting in that it's a ghost story built around auto racing, with a strange series of accidents happening at a newly-developed turning in a racecourse. "Cwm Garon" is the longest tale of the bunch, the most literary, and the most abstract...but at the same time, fascinating. A man visits an isolated Welsh valley and becomes entranced by its beauty, but also feels a sneaking suspicion of some lurking evil in the landscape. It's a great example of the subgenre of "landscape horror" where it's not really an evil house or specific structure, but the land itself that radiates menace.
"A Visitor at Ashcombe" is probably the most Jamesian of the stories, with a nasty haunting in a rural manor house, purchased by a nouveau riche industrialist. "The Garside Fell Disaster" is a cracker, with a railroad accident and hints of an ancient evil in an isolated train tunnel. "World's End" is a brief tale of premonition and death.
"Hear Not My Steps" is extremely brief, a tale of a haunting, but also seems too brief, as if it's an unfinished fragment thrown in to fill out the collection. Or perhaps it's an experiment in the form. This is more horror fiction than ghost story, really. "Agony of Flame" is a tale of a haunting in an Irish castle, but is very interesting for being very traditionally Jamesian in content but also kicking off with a reference to the atom bomb and Bikini Atoll, setting the tale squarely in a post-WWII world.
"Hawley Bank Foundry" is probably the best example of Rolt's style and fascinations, as it deals with hauntings and unholy things in an old foundry re-opened for war work, and is in the halfway mark of the shift from the pre-war "antiquarian" school of ghost story and the post-war "visionary" school of ghost and horror fiction.
"Music Hath Charms" is also an excellent story that tweaks the form. It's got an old house and antiquarian content, with an antique music box having connections with sorcery and possession, but the story structure is much more modern. "The Shouting" is more landscape horror, with ancient evil suffusing the very land itself. The final story, "The House of Vengeance," is well-done enough but a standard story of ghosts replaying a violent scene.
So there you have it. An interesting and fairly unusual voice in ghost fiction, and also in some ways a transitional figure as proper and civilized ghosts of the Victorian and Edwardian period gave way to the more abstract terrors of the postwar era. His deft touch with industrial settings and for landscape horror make this volume (his only supernatural work) a worthy addition to one's library. I wonder about his other works, but they may be hard to get hold of here in the U.S.; I'll have to see.
I read a nice paperback edition from The History Press, now out of print, but the lovely folks at Ash-Tree Press have a very reasonably priced ebook version available.
Wednesday, September 17, 2014
We go up the street to that old movie theater and settle in for the show...
First up is a 1903 confection from George Melies, "The Infernal Cakewalk"!
(Who says there isn't dancing in Hell?)
The feature presentation is the 1933 thriller "A Shriek in the Night," starring Ginger Rogers!
The show over, we wander off in search of a drink at the local cafe. You need something to fortify you against the chilly night air of autumn!
Tuesday, September 16, 2014
Three stories are contained therein. The first is "The Case of a Boy's Honour" in which Holmes is summoned by the real-life Sir John Fisher, a noted admiral, to investigate an accused theft by a schoolboy at a naval-oriented school. The mystery itself is rather low-stakes, but it involves a good middle-class student with a bright future being besmirched by spoiled, privileged upper-class students. It's nicely resolved by a bit of bluffing, but is diverting enough.
The second is the longest, and qualifies as a novella. "The Case of the Ghosts of Bly" plunks Holmes down into Henry James' "The Turn of the Screw." Holmes comes on the case after the end of the James tale, with the governess (now named Victoria Temple) imprisoned in Broadmoor, and questions being raised about the deaths of both Miles and Flora (!). This is a decent job of turning James' supernatural narrative into a tale of crime and conspiracy. The spectral appearances are given a good explanation, and there's even an explanation of the "things" that Miles said at school that got him expelled. This is one of the better examples of shoehorning Holmes into an established story and having him resolve it.
The third, "The Case of the Matinee Idol," was a bit annoying as it rewrites some of Holmes' character. It's preceded by an essay called "Sherlock Holmes the Actor" which now adds some time on the stage to Holmes' resume; while it makes a certain sense, with Holmes adding to his disguise abilities, it's never referred to anywhere else. And in the story, with Holmes and Watson investigating the poisoning of a popular actor while performing in "Hamlet" on New Year's Eve, Holmes openly refers to having played Hamlet in the past, which is rather jarring.
On the whole, it's irregular pastiche, with the best part being "The Ghosts of Bly." The first story is slightly marred by a judgmental tone toward the school establishment of the time that takes one out of it, and the third so suddenly presents us with Holmes as a former actor that it's hard to get wrapped up in. It feels like a pastiche written by someone who only knew vaguely of the Holmes canon.
It was still entertaining enough, and I may check out the others by this author.
Thursday, September 11, 2014
- I turned 49. Been coping with the feeling that 50 is just around the corner and all that age stuff. Still, I probably shouldn't lament too much, my grandfather was 102 when he kicked off.
- On similar lines, a recent doctor's appointment showed that my blood pressure, cholesterol level, blood sugar level, etc. were all doing very well...but my weight has gone crazy. So yeah, definitely joining a gym soon. I need to lose a few dozen pounds.
- Saturday, I was tending to some business that didn't take as long as I expected (closing out a bank account, I'm shifting my business to a credit union) so on a whim I went to the Baltimore Comic-Con. I'm not much of a comics person, but I thought, what the hell, it may be worth the adventure. I only spent the afternoon, but it was fun. I ran into my friend Denise who's a MAJOR comics person and through her I got quite a few introductions to various artists. I only bought one comic, a one-shot from Rocket Ink Studios called "Portraits of Poe," but I got some other swag, like a t-shirt with an expressionistic portrait of Poe, a pair of horror novels from ChiZine Publications, and (ahem) a collector's market DVD of the first season of PENNY DREADFUL. Not a bad haul.
- Coming up on the weekend of 10/3-5, the Monster-Mania Con at Hunt Valley, MD (just outside Baltimore), a horror movie convention, and on 10/24-26 is Hallowread in Ellicott City, MD (just south of Baltimore, and a short drive from my digs in Catonsville), a gathering of "authors and fans of paranormal/urban fantasy, steampunk, and horror." In other words, I'll be at both.
- Reading a couple different things right now; will report & review when I finish.
Wednesday, September 3, 2014
This fun little piece was written by John Barry for a TV series that aired in the UK but never in the US. I happened to be able to watch an episode long, long ago (I mean 1980s long ago) and the music stuck with me. You can only imagine how happy I was to track it down on YouTube and hear the full thing again.
Hey...that brunette is looking at you from the doorway of the Chinese restaurant there. What's that about a message to carry? What does "the rosette is in the field" mean? I think we have an adventure here...