Tuesday, October 25, 2016
Then it's up to that shabby old movie theater....that's just remodeled a bit, which is why we're late this month....and time for our monthly movie date! October is bringing us 1935's "The Crime of Dr. Crespi"
Isn't Erich von Stroheim a blast? And yeah, it claims to be a Poe story, but really, it's very, very loosely inspired by "The Premature Burial." But this is one of the more highly-praised Poverty Row horrors, and quite a bit of fun.
And seriously, sorry to be so late this month, but last week's heat wave left me ill and unable to sleep for three days. I'm back to normal (almost) and feeling better. Still looking for work.
The show over, we head out for a final drink before going our separate ways....
Sunday, October 16, 2016
In the first novel of the Barnavelt series, mention is made of an enchanted bridge that was supposedly built by a local wizard to prevent an ancestor's ghost from coming for him. This book uses that and builds on it.
The old Wilder Creek Bridge is being torn down, and to be replaced by a new modern bridge. Uncle Jonathan and Mrs. Zimmermann are concerned, but won't say why. Lewis and Rose Rita begin to suspect that they're hiding something major, and begin looking into things themselves. They find out a meteor fell to earth years ago, bringing with it something unholy...
Yes, this is basically a reworking of Lovecraft's "The Colour Out of Space" for young readers, but it works well. The titular beast isn't a colour, but a classic Cthulhoid semi-shoggoth, and scenes of Lewis and Rose Rita visiting a blasted farmstead are some of the more striking horror images that have ever featured in any of the Bellairs/Strickland canon. They actually worked on me a little, rousing memories of abandoned farms and withered fields around my childhood home.
It also has an appearance by inept witch Mrs. Jaegar, always welcome.
One of the more significant things about the Edward Gorey cover art is that it's probably the only time that Gorey illustrated Cthulhu. (The back cover is a scene from the novel where one of Uncle Jonathan's illusion shows is hijacked by other forces, and they witness the rising of a creature, presumably Cthulhu. It's memorable.)
This is a particularly recommended part of the series, because it tackles Lovecraft so effectively for younger readers.
Thursday, October 6, 2016
Herrmann was a magnificent composer, who gave us two immortal music cues...the themes from PSYCHO and THE TWILIGHT ZONE, but who composed many remarkable film scores. HANGOVER SQUARE is a wee bit obscure; not many people know of it, and it's not perfect as a movie, but this concerto, composed to be performed during the film's climax, is simply amazing.
Let's go have a cup of coffee after the show, shall we?
Friday, September 30, 2016
Published in 1920, "Bulldog Drummond" is notorious for being a shining example of the patriotic two-fisted adventurer types that populated British pulp fiction between the wars. Politically, Drummond would horrify some modern readers, as he functions largely to preserve a conservative status quo, and I've read that in later books he becomes a sort of Ayn Rand-ian Rugged Individualist. But in this book he's palatable; he's doing what he's doing for the sake of adventure and excitement, and I was impressed about halfway through when he starts to wonder if he's not in over his head and should bring in the police. He decides against it, of course (because otherwise there's no story) but that moment of reflection and self-doubt is something you don't see often, especially in macho fiction of this era.
Drummond was also famously xenophobic in later works, but in this one it's not visible aside from a certain pro-British jingoism that's par for the course in this era. There's a peripheral character who's referred to as a "Jew" but not disparagingly so; it's just that they felt it necessary to include that. Yeah, it's not the most enlightened, but it's extremely mild for those days.
It was also interesting to pick up on ways it influenced other works, and was influenced by others. Villain Peterson keeps a number of exotic poisonous animals in his house, and has a number of elaborate traps, all of which were reminiscent of Sax Rohmer's "Fu Manchu" novels....and Rohmer had been writing of the Devil Doctor since 1913, so it's likely Sapper read them. And some of the goings-on here reminded me of some of the early Saint stories by Leslie Charteris, and Simon Templar didn't appear in print until 1928, so it's likely Charteris was influenced by Sapper. (And The Saint is much more compassionate than Drummond on any day of the week...)
Overall, the story is sometimes a bit muddled and is preposterous as hell, but it is entertaining enough in a sort of idealized picture postcard England kind of way. We know from the start that Peterson is trying to bring about a Communist revolution in England and reap millions as a result (yeah, it's vague) and I actually agreed with Drummond's speech that capitalism is badly flawed but at least it works halfway, and communism simply won't work. (Liberal as I am, I do have occasional flirtations with socialism, but consider communism and Marxism to be failed philosophies [there are differences, look them up if you think they're all the same], and while capitalism has serious problems it's likely the best system we have.) I can imagine this getting more conservative and right-wing as times go by, but I enjoyed this enough to want to continue with the series.
Wordsworth Editions has an omnibus of the first four books (all of which feature Carl Peterson) and there's some ebooks out there; otherwise, check your used bookstore. McNeile died in 1937 and this work is in public domain in the US and can be downloaded for free from the usual suspects, but the rest appear to be still protected by copyright here.
Sunday, September 25, 2016
This turns into a fun adventure with Rose Rita falling more and more under the influence of a malevolent spirit, and the two visit a strange magician's cemetery in a nearby town. (The Gorey frontispiece shows a photo of Belle Frisson and an image of the cemetery that I just love.) Belle's marker is a tall column that is capped by a stone sphere...that turns slowly, one revolution in about six weeks. (That gives me a macabre shiver.)
This delves a bit more into Rose Rita's personality, as we see her becoming withdrawn and sullen toward Lewis and the others, and Strickland smartly puts a supernatural spin on normal adolescent behavior. I will criticize it for having a few clumsily-inserted character with some of Lewis' classmates suddenly having speaking parts, but I found out that these were contest winners who had their names used in the story. Uncle Jonathan and Mrs. Zimmermann are fully involved, not kept on the sidelines, which makes a good change.
The final confrontation with Belle Frisson is memorable and spooky, and I wish there had been more about her background and personality; she's a bit of a cipher. But overall, it's still good fun and I enjoyed it immensely.
Tuesday, September 20, 2016
But it's a good night to meet for a movie, isn't it? We gather in our usual restaurant, happy for the new specials, teasing the waiter, and always leaving a good tip. Then it's up to the theater for the show!
Tonight's movie is a 1935 mysteries-of-the-orient opus, "Hong Kong Nights"!
This flick has some slight notoriety for being the subject of some Tong action when there was a kerfuffle over money due a Chinese extra, but it was all resolved peacefully. We hope.
The show's over...let's go grab a drink, shall we?
Monday, September 12, 2016
The running theme here is mysteries taking place on vacation, and it's quite a mixture of material. It kicks off with an old warhorse, "The Adventure of the Devil's Foot" by Arthur Conan Doyle, which takes place while Sherlock Holmes is on vacation in Cornwall. The next story, "A Schoolmaster Abroad" by E. W. Hornung, is not one of that author's better works, and doesn't linger long in the memory.
Arnold Bennett's "Murder!" is an OK story, kind of a macabre comedy where we witness a murder being committed, then watch a pompous police officer botch the investigation. "The Murder on the Golf Links" by M. McDonnell Bodkin showcases his now-forgotten sleuth Paul Beck, in a murder on a golf course; not great, but a serviceable story of its time. The next tale, "The Stone Finger" by G. K. Chesterton, is subpar; it's not a Father Brown story, and the method used to hide the body is so utterly daft I wanted to hunt down Chesterton's grave to spit on it.
"The Vanishing of Mrs. Fraser" by Basil Thomson is a journalistic recycling of the old "so long at the fair" urban legend. R. Austin Freeman gives us his medical sleuth Dr. Thorndike in "A Mystery of the Sand Hills," which has an unsatisfying plot but at the same time is a good (and well-written) look at Thorndike's deductive reasoning.
Then we get to the really good stuff. H. C. Bailey's Reggie Fortune turns up in "The Hazel Ice", investigating a murder in the Alps. It's a cracking good story, and I'm quickly becoming a fan of Bailey and Fortune. Then we have Anthony Berkeley's rarely-reprinted story "Razor Edge," which has sleuth Roger Sheringham looking into a suspicious drowning by the seaside. Then we have Leo Bruce's Sgt. Beef in the short-short "Holiday Task", looking into a strange death along the cliffs in Normandy (with a very clever twist at the end!).
A now-forgotten author, Helen Simpson had two works filmed by Hitchcock (MURDER! and UNDER CAPRICORN), and died young. She is represented in this collection by her rare story "A Posteriori," a comic tale of a tourist in France who becomes reluctantly embroiled in espionage, and has a hilariously ribald twist at the end that I don't dare spoil. "Where is Mr. Manetot?" by Phyllis Bentley is another rarity, written for an anthology of missing-persons stories. This one's about an academic who goes on an unexpected holiday and wanders into the midst of a heinous plot.
The next author, Gerald Findler, is an enigma; nothing is known of him, and there's only a couple of brief stories and a pamphlet credited to him. But "The House of Screams" packs a whallop, a haunted-house story which conceals an ingenious murder. And the anthology wraps up with Michael Gilbert's "Cousin Once Removed," a tale of murder with an ironic twist.
Despite a sluggish start, and some stuff you've seen before, this is still a superior anthology and a great way to sample some of the golden age's best mystery writers. Check it out!