The second half of The Monkey and the Tiger takes place immediately after the events of The Chinese Nail Murders, while Dee is riding from Pei-Chow to the capitol, and going through a region struck by severe flooding. He's separated from his escort by a collapsing bridge, and then finds himself on an island created by the floods. On it are a gang of bandits called the Flying Tigers, but there's also a fortified country house. Of course, Dee takes shelter there, and ends up investigating a nasty murder.
"The Night of the Tiger" is a sort of T'ang dynasty version of one of those old-dark-house movies from the 30s, but it works well. Dee sleeps in the room of the owner's daughter, Kee-Yu, who was found dead earlier that day. Van Gulik's portrait of the girl is affecting; she's a person of breeding and taste, but also tormented by ill health and possibly morbid brooding. However, Dee discovers that not everything is as it seems, and in the end there's a nasty twist, but the forces of law and justice triumph at last.
I've always been haunted by Kee-Yu; she's relatable but also sad and pathetic. I find her taste and refinement appealing, even admirable, but she also serves as a warning of too much brooding. She has a love affair that ends badly, and it's sad because she was the object of unrequited yet noble passion by one of her father's trusted aides. In the drawing class I took last summer, we were experimenting with Chinese brushes one night, and instead of doing the usual still lifes, I did this little picture of Kee-Yu, looking at the moon and mountains from her balcony.
(Yeah, I know, hardly spectacular, but I liked it. My teacher was impressed and suggested I get some brushes and experiment on my own. Haven't done that yet, but I should.)
"The Night of the Tiger" is a nice little novella with some bits that I found personally haunting. Like the rest of the Judge Dee series, this is Required Reading.
Next in the Dee series: Dee tackles affairs in the capitol in The Willow Pattern.
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